Aryan Movie Review: Vishnu Vishal’s Murder Mystery Thriller Hits Screens Today

The latest investigative thriller, Aaryan, has been directed by Praveen K and produced by Vishnu Vishal Studios along with Clean and Aryan Ramesh. Tamil actor Vishnu Vishal stars in the film, alongside Shraddha Srinath and Manasa Chowdary, while Selvaraghavan plays a pivotal role. Originally released in Tamil on October 31, 2025, the film was later made available in Telugu through Shresht Movies, produced by Sudhakar Reddy. Fans are keen to see how the film performs on Friday.

Plot Overview:

The story follows Athreya (Selvaraghavan), a writer frustrated with the lack of recognition for his literary talent. During a live interview with TV anchor Nayana (Shraddha Srinath), Athreya suddenly takes over the studio and announces a chilling plan: he intends to commit five murders—starting with himself—and names the intended victims over the next five days.

Investigation officer Nandi (Vishnu Vishal) is tasked with unraveling the mystery. The story unfolds as Athreya, even after his death, orchestrates killings in a way that draws attention to the individuals’ lives. Each victim—a military officer, a dancer, an environmental activist, and a social worker—has been overlooked by society despite their dedication to their professions. The film explores whether the police can prevent these murders and uncovers the motivations behind Athreya’s actions, as well as the significance of his book titled Aryan.

Analysis:

Murder mystery thrillers enjoy widespread popularity, but Aaryan distinguishes itself with a unique narrative. The concept of a deceased individual controlling events from beyond adds an unexpected twist. The story emphasizes the value of recognizing unsung heroes, blending suspense with social commentary. The director skillfully maintains tension while exploring this unconventional angle, raising curiosity about the origins of the book Aryan and the rationale behind its title.

Performances and Technical Aspects:

Vishnu Vishal delivers a convincing portrayal of the seasoned police officer, showcasing fitness and authority. Shraddha Srinath’s portrayal of the TV anchor feels uneven at times, but Selvaraghavan captivates in his central role. Supporting actors meet expectations, while Harish Kannan’s cinematography captures the thriller’s tone effectively. Ghibran’s background score complements the suspense, though the songs themselves are less remarkable. Production quality is strong, and the director introduces fresh elements into the murder mystery genre. The main question remains whether audiences will fully embrace this novel approach.